Last night I learned that Vincenzo Sercia had died. I wrote about him in Mattanza. He was the former Prima Voce, the soloist, of the ciurma, the team of 100, then 80, tuna fisherman working under their supreme commander, the rais. He was already retired when I knew him in the early 1990s. I would follow him with a tape recorder begging him to sing the words of the cialome, the traditional, mystical work songs of the Favignana tonnara, but he always slipped through my fingers. These were not songs to be sung on land. It was taboo.
But one spring day in 1993, when documentary filmmaker Luciano Bovina was gathering material for a film about the tonnara, I learned that Vincenzo Sercia and a portion of the current ciurma would sing the cialome near Punta Lunga, in a rocky seaside cove for Luciano's benefit. I was invited, too, and in the pink dusk I recorded Vincenzo Sercia singing the songs. The most haunting is Ai-a-mola. Read More
But one spring day in 1993, when documentary filmmaker Luciano Bovina was gathering material for a film about the tonnara, I learned that Vincenzo Sercia and a portion of the current ciurma would sing the cialome near Punta Lunga, in a rocky seaside cove for Luciano's benefit. I was invited, too, and in the pink dusk I recorded Vincenzo Sercia singing the songs. The most haunting is Ai-a-mola. Read More
